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03.2024

Bryston Model T-10 Speakers, $20,000 Per Pair

{72h, 12w, 17d, 133 lbs, 92 dB SPL, 4 ohms}

Black Ash, Walnut, Walnut Expresso, Boston Cherry, Natural Cherry

Bryston has just shipped its LINE ARRAY big boy towers, Model T-10. The T-10 denotes that Bryston has been making speakers over a decade. All Brystons are made in Canada with a 20 year warranty!

Model T-10 is a full assault on putting the musicians in your room. Most speakers are quite scaled down from reality in their presentation. We understand that and accept them for what they are. Your wife would prefer shorter/leaner speakers. But the Model T-10 is for YOU.

Model T-10 is large and in charge. Bryston will not apologize for its size. It looks, and better yet, sounds HUGE. So what?! Find a room for your music system and give her the rest of the house!

Model T-10 purveys an enormous sound field, in terms of height, weight and depth. You just can’t get this kind of real scale sound out of a modest 3 element system, like almost everyone else sells.

In fact, when you look at speakers for anywhere near $50k, basically you get Seas or Scanspeak 3-ways along with CRAZYTOWN money for heavy cabinets. I’m not saying they’re not good. I just think Bryston invests your money more wisely to get amazing results.

You can talk till you’re blue in the face about towers that are basically 6.5-8” 3-ways. If you’re lucky you might get a pair of drivers firing out the sides with a moderate amp to help out the 3-way. Model T-10 features FOUR thunderous 8” contiguous Pure Aluminum woofers PER TOWER. Each 8” is 5.5” deep and weighs 15 lbs! The difference in musical SCALE with Model T-10 vs is ginormous. Running eight 8s in the pair of towers pressurizes your room in four locations. When you hear Model T-10 for yourself you’ll realize the other guys just can’t do the same WORK.

Bryston chooses to spend its money on a prolific LINE ARRAY of drivers and house them in a sturdy Canadian Rangerwood enclosure. Bryston makes its own drivers, in its own house in Canada with full TLC control. The other guys buy drivers from Scandinavia and spend WILD money on heavy cabinets of epoxy resin or aluminum. It’s not that those aren’t good materials. It’s just that you get much more performance for your money with a larger array of drivers housed in a prodigious, thick, dense wood enclosure- vs running a small array of drivers in dangerously heavy cabinets that you’d need Green Bay Packers to move.

Axiom ADA1500 Power Amp $2990 (325×2)

Axiom has just shipped its top of the line power amp, ADA1500. It’s on our floor now.

Bryston and Axiom merged some years ago. The resulting company is simply called Bryston.

Bryston has opted to use the Axiom banner for its more affordable amp and speaker designs. While Axiom models don’t quite have Bryston panache for parts and power, they’re terrific products in their own right and priced similarly to the Chinese imports.

Please buy Axiom instead of the Chinese imports! On top of getting mellow sounding amps with a big kick, you’re supporting N Americans in the process. Please don’t send your money half way around the world when we have better products built in our neighborhood. Bryston is closer to us than Atlanta.

All Axiom amps are made in Canada with a 5 year warranty. Bryston has a 20 year warranty.

ADA1500 is dubbed 1500 because that’s the wattage of its BIG BOY toroidal transformer. ADA1000 has a 1000w transformer.

Huge toroidal transformers and massive filter capacitance are hallmarks of Axiom power amps. ADA1500 weighs 58 pounds. That’s fine with Bryston/Axiom. When a Chinese company makes an amp, they want maximum wattage rating and minimal weight. If the Chinese can cut even one pound off an amp, they’ll do it to save on freight. Bryston/Axiom use LINEAR power supplies and chunky parts, the Asian imports do just the opposite, running SMPS power supplies and often claim wattage ratings they cannot meet. That’s right. They blatantly lie about their power claims. The typical Chinese amp rated at 300×2 weighs 11 pounds. Where’s the BEEF?

ADA1500 throws 325×2 into 8 ohms and 650×2 into 4 ohms. It hits 975w on musical peaks and 4500w on dynamic peaks. I’ve been running it on a variety of Bryston, Klipsch and Magnepan speakers. It’s a fabulous mate for all.

When an amp uses the SMPS power supply, you’re lucky to achieve rated power- AND, there is NO HEADROOM for dynamics.

Axiom uses its real estate to space out the components within its amps. The Chinese cram a pile of smallish parts and chips in a tiny space and even drizzle them with epoxy or mortite to make SOME attempt to minimize the RFI and ringing of everything being in close proximity. It looks like bird poop in many of these mass produced imports.

More importantly, ADA1500 has mellifluous sonic attributes. It isn’t a brutish, screaming amplifier. This… is matched with very tight bass response so your speakers don’t sound soggy. Where ADA1500 offers more than its little brothers is primarily in bass WEIGHT and faster acceleration.

If you have speakers that are a bit spiky up top, you should consider an Axiom amp to shake hands with. We have many customers running old Rotels, Adcoms, Haflers, Parasounds etc. They sound more grainy than Axiom and can wear you out, especially at stronger volume levels. A move to Axiom will make your speakers much more palatable.

Your speakers might actually be better than how you currently perceive them- when you rid them of the raspy character of a grizzly amplifier.

If you’re willing the buy a Bryston 4B Cubed ($7500, 300×2)- please do! But if you’re thinking of something south of that, one of the amps in the Axiom family is worth your consideration. ADA1500 is the biggest in the family, but it isn’t a roughneck.

Axiom’s ADA1000 ($1390, 125×2) is a dynamite value! With musical peak power of 375×2, ADA1000 will be plenty for the majority of our customers. Yet if you have more money in your piggy bank and like to kick your speakers in the tail, you should treat yourself to ADA1500.

Here’s an interesting comparison. Axiom’s ADA1000 is again, rated 125×2 and hits musical peaks for 375×2. The 12 pound Benchmark AHB2 ($3500, 100×2, “assembled in USA”) was tested by Stereophile and shuttered one channel when hitting 108w. I’m not saying the Benchmark is no good. I am saying Axiom is a GREAT VALUE.

Rogue RP5v2 Stereo Tube Preamp, $4000

Rogue’s new mid level tube preamp is without equivocation- AWESOME!

Rogue has had a successful RP5 for many years. The v2 version maintains Rogue’s famous smoothness and brings a new level of transparency to the party.

Rogue introduced its Dragon ($4k, 300×2) power amp about two years ago. It has a warm sound with tremendous inner detail and breathy dynamics. RP5v2 is the perfect mate as it shares the same characteristics that Dragon has. The prior RP5 was a notch below the Dragon in resolution. RP5v2 has solved that issue of a somewhat incongruous pairing.

Where I heard RP5v2 show its heart and soul is when I started playing a variety of female singers. You can hear the lilt a great singer brings to her phrasing that mediocre electronics obfuscate.

We tend to think of dynamics as a term used for orchestral crescendos. Fair enough. But there are micro dynamics purveyed by great singers to bring out a certain emotion or deliver a smattering of sex appeal. Running RP5v2 with Dragon is an $8k combo that competes with anything out there.

As I look at the hi-fi mags that come in every month, preamps and amps regularly run $15-25k, per unit. I’m not at all being preposterous in telling you that this Rogue pairing is RIGHT THERE with them in performance.

When Music Career Ends

Few musicians have a career that spans from teenage years till death. Like pro athletes, most musicians are lucky to have a nice RUN. After that splash of success, what’s next?

Kevin Jonas of the Jonas Brothers had a good run. After four albums (20m sold) from 2005-2013, Kevin exited the music business to become a home builder. He went from helping construct songs to constructing houses.

02.2024

Magnepan MG 2.7i Speakers, $6350 Per Pair With Oval Bases

(72h, 22w, 2d)

Magnepan’s BRAND NEW, MG 2.7i has arrived! Magnepan rarely introduces new speakers. When they do, it’s a big deal. With MG 2.7i, it’s even a bigger deal because this is now the least expensive model in the family to use Maggie’s True Ribbon Tweeter design.

MG 2.7i gives us STATE OF THE ART high frequency detail and shimmer due to its use of Magnepan’s True Ribbon tweeter design. If you haven’t heard Maggie’s True Ribbon for a while, you owe it to yourself to test drive it again. Playing the MG 2.7i with quality electronics casts a wall of music in front of you to lust for. The transparency of 2.7i is absolutely to LUST for. The delicate detail of fine guitar and piano work- along with the unique character of every singer is purveyed by 2.7i to the Nth degree.

MG 2.7i also sounds deeper and weightier than its smaller brother, MG 1.7i. It’s a marvelous marriage of materials to hit a very competitive price point.

If you like your bass taut and under control, you’re good to go with Mg 2.7i on its own. If you want subterranean bass response, we have a myriad of JL Audio powered subs to consider.

Up until MG 2.7i arrived, if you wanted STATE OF THE ART Maggie top end, you had to go all the way to the MG 3.7i with its True Ribbon technology, $9k.

As of NOW, MG 2.7i equals the top end of 3.7i for about a third less money. Given that a lot of our customers go with JL Audio subs anyway, MG 2.7i hits a welcome sweet spot in the line, because the extra bass of 3.7i is moot if you add a sub.

MG 2.7i runs $6k per pair with traditional Maggie feet. Permit me to encourage you to spend $6350 and get them with the much more stable and classy oval bases. Plainly put, these speakers are just too good to run with the classic footers!

Please stop in for a listen We know everyone loves to read opinions online. But there is no substitute for hearing the Maggies for yourself.

Also available, but I haven’t heard them yet, is Magnepan’s MG 2.7X, $10k per pair. MG 2.7X is the same panel as MG 2.7i, but all the electronic components in the road are of a higher grade. Magnepan says there is improved resolution and transparency with 2.7X. I’ll report on it when we get some.

Rogue Dragon Power Amp, $4000 (300×2)

Back in the house after a long back order, is Rogue’s awesome Dragon power amp. Dragon is unlike any other power amp on the market. It has a prodigious 300×2 into 8 ohms and 500×2 into 4 ohms. It uses a pair of 12AU7 tubes and incorporates them in the amplifier’s output stage. That’s right, the tubes are not just linked to the amp’s input stage like other hybrid designs.

Rogue’s owner/designer Mark O’Brien implements his secret sauce, TubeD technology, as nobody else can. The result is, you get an uber powerful amplifier with gorgeous tube color, without the heat and problems associated with blazing output tubes.

What defines the Dragon is its hugely dynamic, breathy musical quality. This applies to vocals in particular. We generally think of dynamic range being important in kettle drum thwacks. Dragon hits those hard, of course. But Dragon’s “magic” is that within an emotive singing voice, subtle intonations and expressions stand out. A perfect example is singer Stacy Kent’s tune “Close Your Eyes.” It isn’t loud or powerful. Yet there are times when her voice imbues emotion to the piece, that you’ll appreciate more with a great amp, than one that sounds a bit drab.

Dragon’s bass is tight instead of fat. Dragon’s ability to deliver granular texture is legendary. What a great combination of strengths to drive any speaker, but especially worthwhile for good sized floor standers that are more than a little thirsty. Dragon is happy with low impedances and has the CONTROL to keep your towers from sounding soggy.

There are plenty of big boy towers out there that sound a sloppy mess with average electronics. You can get much more out of them with a Dragon.

If you’re a Maggie fan, and there are many of us, Dragon is right up your alley. Dragon runs in synergy with all the characteristics you luv in Pans. Dragon with Magnepan’s new MG 2.7i is a thrilling combo!

RIP Les McCann (1935-2023)

The inimitable Les McCann died at the close of 2023. Les had a fun, straightforward style of playing the piano. Many jazz pianists sound like typewriters to me. They’re too busy showing off to let me hear the music. Not Les.

His powerful, raspy voice was iconic. Please dial up two Les tunes I luv. “Hustle To Survive” and “Well, Cuss My Daddy.” If you haven’t been on the Les bandwagon, there’s still plenty of room.